以女词人李清照其人其事为题材的剧目在戏曲话剧舞台上均不鲜见,笔者以为自有剧作者创作关乎李清照的舞台剧起,如何定位李清照其人?又如何解读李清照的人生及其事?便是剧作者们最苦思冥想要探究的问题甚至是课题。诚然,李清照因着“寻寻觅觅、冷冷清清,凄凄惨惨戚戚”十四个叠字成为了毫无争议的前无古人后无来者的中国第一女词人,甚至长久以来占据着中国文学(词坛)的巅峰。自上世纪80年代后至90年代初,各个剧种版 How to locate Li Qingzhao and how to interpret the life of Li Qingzhao and how to interpret the life of Li Qingzhao and how to interpret Li Qingzhao’s life are the same. The thing is that the playwright most trying to explore the problem or even the subject. Admittedly, Li Qingzhao was the first Chinese woman writer ever to win over unconscionable, non-Chinese, and even fourteen overlapping characters because of “searching, desolation and desolation” Chinese literature (the altar) of the pinnacle. Since the 1980s until the early 90s, all the drama version