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中国的传统民间艺术蕴含着中国特色的艺术之美,是广大群众的集体性创造,也是千年文化的沉淀。在现代化进程中,许多民间艺术面临着严峻的发展问题,我们该如何保护与传承民间艺术,铁画既是中华民族民间工艺美术底蕴丰厚的物质产品,同时又是中华民族文化中具有深刻文化内涵的精神产品,作为民间手口相传的传统工艺品,其在现代社会发展的潮流中,曾经也几经起落。本文立足于芜湖铁画,通过实地调研,从对铁画艺术的本体艺术进行研究,以市场和文化的视角看待芜湖铁画艺术,进而对构建铁画文化生态进行举例分析,通过理论与实践相结合的方法,寻求对非物质文化遗产的保护机制,探索芜湖铁画的未来发展之路。
China’s traditional folk art contains the artistic beauty of Chinese characteristics, which is the collective creation of the masses and also the precipitation of the millennium culture. In the process of modernization, many folk arts are facing serious problems of development. How can we protect and inherit folk art? Iron painting is not only a rich material product of the folk arts and crafts of the Chinese nation, but also a profound cultural connotation in the Chinese nation’s culture Products, as traditional handicrafts handed down by the hand of the people, have experienced ups and downs in the tide of the development of modern society. Based on the Wuhu Iron Paintings, this paper studies the ontology art of Iron Painter from the perspective of market and culture, and then analyzes the Wuhu Iron Painter art from the perspective of market and culture. Then it gives an example analysis of constructing the iron painting cultural ecology. Through a combination of theory and practice, Seek the protection mechanism of intangible cultural heritage and explore the future development of Wuhu iron painting.