纵观整部《楚辞》,首先给人深刻印象的是“香草”与“美人”的意象,此二者据后世批评家考证,都是有政治隐喻性的,而这些“主角”活动的大舞台,就是屈原所建构的神话背景,这种现象,在《离骚》、《天问》、《九歌》中极常见,《九章》中也有所涉及。由此可见,屈赋中真正富有想象力与浪漫情怀的部分,正是这些以上古神话为背景的篇章。可以说,《楚辞》的成就跟其中的神话意象是分不开的。作为中国最古老的神话记载,《山海经》通过简洁的语言构建出一个完整的上古神话体系。这体系与神话精神的内核 Looking at the entire “Chu Ci”, firstly, the image that impresses people is the image of “vanilla” and “beauty”, both of which are politically metaphorical in the textual research of later generations. The main stage of the “protagonist” activity is the mythical background constructed by Qu Yuan. This phenomenon is extremely common in Lisao, Heaven, and Nine Songs, and is also covered in Chapter Nine. Thus it can be seen that the real rich imagination and romantic feelings in Qu Yuan are precisely those chapters that are based on the ancient myths. It can be said that the achievements of “Chu Ci” can not be separated from the mythic images in it. As China’s oldest myth records, “Shan Hai Jing” through concise language to build a complete system of ancient myths. This system and the kernel of mythological spirit