思想之于创作具有重要意义,它决定着建筑创作的动机和方向。设计作品中所蕴涵的文化思想属性,在很大程度上要受主体意识的影响或支配,并反映着创作主体的思想属性。建筑创作活动虽然显于外在的“形”,起于客观的“因”,但却成于主体的“思”。从一定意义上说:建筑,“形”成于思。摆在中国建筑师面前的任务,就是要用自己的思想和双手写下具有现代中国建筑文化特色的新篇章。 The idea is of great significance to creation, it determines the motivation and direction of architectural creation. The attributes of cultural thoughts contained in the design works are to a large extent influenced or dominated by the subject consciousness, and reflect the creative attributes of the subject. Although the architectural creation activities appear in the external “form”, they begin with the objective “cause”, but they become the “thinking” of the subject. In a certain sense: Architecture, “shape” becomes thinking. The task before the Chinese architect is to use his own thoughts and hands to write a new chapter with the characteristics of modern Chinese architectural culture.