《假小子戴安》不同于杨红樱其他的儿童文学作品。相比于以《淘气包马小跳》系列为代表的轻松活泼、充满童真的作品,这部有着更为曲折深沉的叙述安排、细腻优雅的审美与艺术教化,字里行间浸透着成人视角对生活的观察和态度,可以说有一定深度和美学意义。在杨红樱做客武大时,也袒露《假小子戴安》是一部“具有自己较强个人色彩”的作品。本篇试从写作角度出发,分析这部成长小说的独到之处。 “Tomboy Diane” is different from other children’s literature by Yang Hongying. Compared with the lively and childlike works represented by the Series of Naughty Cats and Little Jumps, this book has a more tortuous and profound narrative arrangement with delicate and elegant aesthetic and artistic enlightenment. Observation and attitude can be said to have a certain depth and aesthetic significance. When Yang Hongying guest Wu big, but also exposed “Tomboy Diane” is a “has its own strong personal color ” works. This article tries to analyze the uniqueness of this growing novel from the perspective of writing.