画家们心安理得地静坐在自己家中的画案前,翻读查阅着一本本散发着油墨香味的画册,古今中外美妙绝伦的画面呈现眼前,各路大师们的技巧魁力及艺术意念在启示着我们,长时间地“启示”呵护着,令我们受益匪浅……慢慢地似乎可以取代画家自身面对自然,面对现实,面对时代的感知体验。我们的创作神经末梢仿佛在渐渐地萎缩、木纳、冷漠,失去富有生机活力的敏锐、兴奋、流动和生命力的延伸。是否在自我放弃作画中“异想天开”的创作特权,值吗?冷不丁常要想起…… 二 今年的写生,我选择了苏州园林。或许是发自主观愿望所致,往日不经意不留神的江南古典园林会如此这般生辉——假石堆砌产生的舞台效果,亭榭回廊延伸出的故事,庭院石阶漂零落叶“沙沙”作响的诉说以及阁栏雕窗组合的节奏,都令我随心所欲地联想到意大利文艺复兴的乔托,热血 Painters calmly settled down in front of their own family of paintings, read through a book exudes the fragrance of the ink album, at home and abroad all the fantastic picture presented in front of all the masters of skill and charm and artistic ideas in the enlightenment of us , Prolonged “apocalypse” care, so that we benefit greatly ... Slowly seems to be able to replace the artist’s own face of the natural, the face of reality, face the perception of the times experience. Our creative nerve endings seem to be gradually shrinking, clinging, apathetic, loss of vitality sharpness, excitement, mobility and vitality of the extension. Whether in the self-abandonment of painting “whimsical” creative privilege, value? Lengtouding often think of ... ... Second this year’s sketching, I chose Suzhou garden. May be caused by the subjective desire, inadvertently inadvertently inadvertently in the past will be so splendid Jiangnan garden - the fake stone piling the stage effect, the Pavilion Pavilion corridor extends the story of the courtyard stone drift drift “sand” The ringing tone and the combination of the palaces and carving windows made me think of the Italian Renaissance Giotto as I wanted