关于公共雕塑的讨论绵延不绝。在中国艺术史中,“雕塑”在很大程度上被限定在手艺的范畴,是宗教、建筑的附属。正因为如此,纯雕塑很难像绘画那样深入民间,成为人们茶余饭后的欣赏对象。但也正因如此,公共雕塑因被放诸公共空间,从逻辑上讲更容易进入人们的艺术体验序列,有着与纯雕塑决然不同的独特优势。笔者认为,历史底蕴、文化内涵、时尚元素和娱乐趣味,是公共雕塑得以发展的颠扑不破的四大元 The discussion about public sculptures is endless. In the history of Chinese art, “sculpture” is largely confined to the category of craftsmanship and is a subsidiary of religion and architecture. Because of this, it is difficult for pure sculptures to penetrate into the public like paintings and become the object of appreciation after gossip. But also because of this, the public sculptures are uniquely different from the pure sculptures because they are put into public space and are logically easier to enter the artistic experience sequence of people. The author believes that the historical heritage, cultural connotation, fashion elements and entertainment fun, is the public sculpture to the development of the indisputable four big yuan