通过对20世纪90年代以来中国学者对哈罗德·布鲁姆文学理论研究的成果梳理、重审,可以看出:浪漫主义诗学、创造性误读、对抗性阅读、文学经典的重构的批评思想构成了布氏理论的主要部分;布氏理论实质是阅读的审美主体性、审美创造性、审美有效性;中国的“布鲁姆研究热”自有其中国语境与文化动因,是中国与西方文论的一次对话。 By combing and revisiting the research results of Chinese literary theory of Harold Bloom since the 1990s, it can be seen that romanticism poetry, creative misreading, confrontational reading and the reconstruction of literary canon Thought constitutes the main part of Brine’s theory. The essence of Briggs theory is aesthetic subjectivity, aesthetic creativity, and aesthetic validity of reading. China’s “Broome Research Fever” has its own Chinese context and cultural motivation, A Dialogue in Western Literary Theory.