论文部分内容阅读
歌曲的再创造,是由歌唱者把词曲作者的创作意图,审美追求,思想情感,尽可能完美地表现出来,形成一个生动、饱满、完整的音乐意想。歌唱者除了声乐技巧和音乐素质外,其自身审美意识的参予和发挥,在再创造中就更为重要。它包含了歌唱者对歌曲的自我感受、自我评价、自我理解是否准确,是否生动,是否成熟。体现出歌唱者的气质与修养。没有自觉参予自我审美意识的歌唱不能称为再创造,只能是音符的“传声筒”。下面可以从四个方面讨论歌唱者自我审美意识在再创造中的作用和重要位置。
The re-creation of the song is performed by the singer as perfect as possible in the creative intention, the aesthetic pursuit and the ideological emotion of the songwriter, forming a vivid, full and complete musical idea. In addition to vocal skills and musical quality, singers participate in and play their own aesthetic awareness, which is even more important in re-creation. It includes the singer’s self-perception of songs, self-evaluation, self-understanding is accurate, is vivid, is mature. Reflects the singer’s temperament and self-cultivation. The song that does not conscientiously participate in self-aesthetic awareness can not be called “re-creation,” and can only be a “megaphone” of musical notes. The following can be discussed from four aspects of the singer’s self-aesthetic awareness in the re-creation of the role and important position.