曹植人生后期对神仙方术思想地自觉接受,使其文学观表现出不同于前期的嬗变特征。分析表明:曹植前期主要是对儒家文学观的接受,同时客观上受到神仙方术思想的潜在影响。后期因其神仙方术观的确立,他的文学观表现为:在前期儒家文学观的基础上,从重实录嬗变为对庄骚理想与浪漫风格地追求,其文学观真正走向丰富与成熟。也实现了对建安魏初文学的重大完善和突破。 Cao Zhi’s conscious acceptance of the immortal alchemy in his later life made his literary view show the transmutation characteristics different from those of his predecessor. Analysis shows that: Cao Zhi was mainly the early acceptance of Confucian literary view, while objectively influenced by the immortal alchemy thought. Due to the establishment of his immortal view of art in late stage, his literary view is as follows: On the basis of pre-Confucian literary view, the transcendental transmutation transforms into the ideal and romantic pursuit of Zhuang Sao. But also achieved a great improvement and breakthrough in the literature of Jian’an and Wei early.