汉代的隶书,在中国的书法史上曾经有过万紫千红、光辉灿烂的局面。特别是在东汉末叶,桓、灵二帝虽然在其朝政方面一度昏愦,但他们却在书法艺术的发展上,应该说有过贡献。他俩写得如何,另当别论,其书而优则仕的“提干”政策,确实在隶书发展中起了不小的推波助澜的积极作用,于是便涌现出不少的书坛高手。同时,汉末掀起了厚葬之风,其中的勒碑刻铭这一项,在形制上,在内容上,特别是在书法上,都不惜重金,勷求超迈,且竞相攀比。这 Han scriptures, in the history of Chinese calligraphy ever had colorful, brilliant situation. Especially in the late Eastern Han dynasty, though Huan and Ling dynasties once fainted in their government affairs, they had made contributions in the development of calligraphy art. They write how, apart from anything else, the book and excellent official “to do ” policy, did play a positive role in promoting the development of official script, so there emerged a lot of book master . In the meantime, the burial style was set off in the end of the Han Dynasty. One of the inscriptions on Le Bei monument, in terms of form, content, especially on calligraphy, did not hesitate to make heavy payments. This