豫让这仇,原本不必报的这么苦。大导林兆华此次联合编剧徐瑛所改编的话剧《刺客》,以两个扣将其系住:一是豫让为何绞尽脑汁执意行刺,面对新主旧主,他如何选择忠孝;二则是赵襄子身为堂堂一代君王却百思不得其解自己最终为何放过豫让。这两个扣使本来简单的故事有了内在的张力,也凭此提供给观者一个换个角度看历史的独特视角和开放的历史思辨,使《刺客》收获了当之无愧的好评。这里,我将着重对话剧的艺术构思、人物形象塑造、舞 Yu let this hatred, the original do not have to report so bitter. The director Lin Zhaohua The co-writer Xu Ying’s adaptation of the drama “Assassin”, with two buckles to tie it: First, let Yu why brains bent bent on the face of new and old Lord, how he chose loyalty and filial piety; It is Zhao Xiangzi as a generation of king but baffled why they let go let Yu finally. These two deductions have intrinsically strained the original simple story and provided the viewer with a unique perspective of history and an open historical speculation from a different point of view, thus giving the Assassin a well-deserved reputation. Here, I will focus on the art of dialogue drama, character modeling, dance