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中国佛教艺术,在长期的实践中,形成了宗教形象与艺术美的类型的高度一致性,如果说佛陀是以浑厚与慈祥,以那种包容一切的宁谧的微笑来征服人心,使之自觉其渺小无常而回向皈依的话,唐代的菩萨造形则以超麈脱俗,以女性的美丽风姿来召唤向善爱美的灵魂,投向明净的理想世界,至于本文要论述的天王力士,却是以撼天拔地的阳刚之气,以那种穿透一切的神圣的震慑力,来体现毁减的威胁、惩罚的警告与扶持的安全感,它既是完备的宗教神系不可或缺的成员,也是造形艺术所追求的普遍理念之一。在这
In the long run, Chinese Buddhist art has formed a high degree of consistency between the religious images and the types of artistic beauty. If Buddhism connotes and conscientiously confesses the people with contentment and tranquility smiles Insignificant and return to the words of the words of the Tang Dynasty, the Buddha is super-refined form, refined style of women to call good and beautiful soul, toward a clear ideal world, as this article to discuss the king of the knights, but it is shake day The masculinity of the place to ascend, with the penetrating divine deterrent, embodies the threat of destruction, the warning of punishment and the sense of security of support. It is both an indispensable member of a complete religious god, One of the popular ideas pursued by art. At this