唐代是中国历史上一个强盛的封建王朝,也是中国古代雕刻艺术发展史上的鼎盛时期。唐王朝与世界上许多国家都有经济、文化方面的交往,这有利于中外往来和文化交流,吸收外来的新事物。正如宋代文学家苏东坡所说:“君子之于学,百工之于艺,自三代历汉,至唐而备矣。”唐代的雕刻艺术不仅在造型装饰、工艺技法上有所突破和创新,其题材内容及装饰图案也达到了空前的丰富和华丽。特别是石雕线刻画布局严谨,主题鲜明,内容丰富,形象生动, The Tang Dynasty was a prosperous feudal dynasty in Chinese history and also a heyday in the history of the development of ancient Chinese sculpture art. The Tang Dynasty has many economic and cultural contacts with many countries in the world. It is conducive to exchanges between China and foreign countries and to cultural exchanges and foreign new things. Just as Song Dynasty writer Su Dongpo said: “The gentleman is good at learning and works in art, from the third generation to the Tang Dynasty.” The carving art in the Tang Dynasty not only made breakthroughs and innovations in styling and craftsmanship, Theme content and decorative patterns have also reached an unprecedented richness and gorgeous. In particular, the stone carving line depicts the layout of a rigorous, distinctive theme, rich in content, vivid,