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今年五月在上海参加了“’96全国电影技术工作及电影录还音会议”,会后对目前国际上应用的三种电影数字声系统进行进一步的了解和学习,使我对有关情况有了较全面的了解,进而有了较为集中的思考。现在此发表一些粗浅的看法,以期抛砖引玉。 数字声来势迅猛,三足鼎立互不相让 众所周知,世界上现有电影数字声“三巨头”SR·D、DTS及SDDS是分别于1992年中、1993年6月及1994年8月推出的。
In May this year, he participated in the ’96 National Cinema Technical Work and Film Recitals Conference in Shanghai. After the meeting, he further learned and studied the three types of film digital sound systems currently in use in the world so that I could have relevant information More comprehensive understanding, and then have a more focused thinking. Now published some superficial view, in order to start a discussion. The rapid development of digital sound and the tripartite confrontation make each other as we all know. The world’s existing movie digital “Big Three” SR · D, DTS and SDDS were released in mid-1992, June 1993 and August 1994 respectively.