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在国内收藏市场,多媒体艺术品还不明朗,目前还是以欧美藏家为主;而国内也有部分收藏家在做多媒体艺术方面的收藏。由此,针对多媒体艺术的矛盾点成为市场分析人士争论的焦点:正方:分析人士表示,多媒体艺术现在还存在很大的问题,它目前只是处于初级的实验阶段,绝大多数作品局限在技术研发中,对更具有社会性和针对性的学术主题涉足不深,因此很难对当今现实构成强有力的冲击。反方:有关专家表示,多媒体艺术已经进入了社会生活之中,多媒体艺术是跨媒介应用的试验与探索,随着多媒体艺术的发展,多媒体无可置疑地为艺术带来另一种新的可能。当下的金融危机是中国艺术市场重新洗牌之时,也是重新建立中国当代艺术市场秩序的好时机,现在公众开始关注多媒体艺术家,多媒体艺术或许成为中国当代艺术市场危机中的新希望。
In the domestic collection market, multimedia artwork is still unclear. Currently, it is still dominated by collectors in Europe and the United States. Some domestic collectors are also collecting multimedia art. As a result, the contradiction of multi-media art market analysts have become the focus of debate: Square: Analysts said that there are still many multimedia art problems, it is only in the primary experimental stage, the vast majority of works limited to technology research and development , It is difficult to make a strong impact on present-day realities because it is less involved in more socialized and targeted academic topics. Opposition: Experts said that multimedia art has entered the social life. Multimedia art is a trial and exploration of cross-media applications. With the development of multimedia art, multimedia undoubtedly brings another new possibility to art. The current financial crisis is a time to rebuild the Chinese art market and a good time to re-establish the order of the Chinese contemporary art market. Now that the public are beginning to pay attention to multimedia artists, multimedia art may become a new hope in the crisis of the Chinese contemporary art market.