不久前,我应香港“桃花源粤剧工作舍”邀请,排演粤剧《西施》。到香港排戏之前,我收到“桃花源”寄来《西施》唱段的试唱录音。录音中,西施的唱腔引起我的兴趣,我发现她的音色甜、圆、醇,行腔委婉流畅,蕴藉隽永。我仔细品赏,深感演员唱得有味有情。如果说戏曲演员的音质是靠“先天”,那么,润腔艺术则是决定于演员“后天”的艺术修养。以西施刚进吴宫的大段舞蹈的 Not long ago, at the invitation of Hong Kong’s “Tao Yuanyuan Cantonese Opera House,” I rehearsed the Cantonese opera “Shih Tzu”. Prior to the parade in Hong Kong, I received a audition recording from “Peach Blossom Spring” sent to “Shih Tzu”. Recording, Xishi Shi Aria caused my interest, I found her voice sweet, round, alcohol, euphemism fluent, Yun meaningful. I carefully appreciate, deeply actor sang tasteful. If the sound quality of opera actors is based on “innateness,” Runzhou art is determined by the artist’s “acquired” artistic accomplishment. To Shi Xi just entered the Wu Gong’s large dance