京剧作为中国的国粹,发展至今已经有200多年的历史了,关公戏是京剧中具有代表性的作品。随着关公戏的发展,在京剧中出现了“红生”。京剧扮演关公的红生需要具备花脸、老生和武生各个行当的基础,才能够使关公更为威风而给人以震慑之感。在演出的过程中,要将关公的形象塑造得逼真而给观众留下深刻的印象,是具有较高难度的。本论文针对京剧关公戏展开研究。 As the quintessence of Chinese culture, Peking Opera has a history of more than 200 years now. Guan Gong is a representative piece of Peking opera. With the development of Guan Gong, Peking Opera appeared “red birth”. Peking Opera to play Guan Gong’s red birth need to have a face, the old students and Takefu the basis of various businesses, can make Guan Gong more authoritative and gives a sense of awe. During the performance, it is more difficult to create a vivid image of Kuan Kung and impress the audience. This thesis aims at the Beijing opera Guan Gong play research.