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中国传统写意人物画,其“写意”含义包括“物意”、“心意”、“笔意”三个方面。李文绚先生认为,现代写意人物画的发展大体有三种趋向:或是继续发展传统写意画风,或是发展重“心意”、“笔意”的表现画风,或是发展在写意基础上的重“物意”的水墨写实画风。但无论那种写意人物画,在当今多元的艺术潮流中,都面临着从传统笔墨的单一模式中蜕变的问题。 中国古代陵墓建筑是古代建筑艺术的重要组成部分。宗贤先生的文章力图透过那神秘的表象,探寻蕴藏其中的文化心理特征。 “学人档案”是新开设的栏目,本期向大家介绍著名美学家王朝闻先生。今后每期将介绍一位国内当代在美术史、美术理论以及美术批评上有成就的著名学者。
Chinese traditional portrait painting, the “freehand” meaning includes “intention”, “mind”, “meaning” three aspects. According to Li Wen-xuan, there are generally three trends in the development of modern portrait painting: continuation of the traditional style of freehand painting or the development of style of expression of “mind” and “pen meaning” or the development of “ Material meaning ”ink realistic style. However, regardless of the kind of portrait painting, in today’s diverse artistic trend, all face the problem of transformation from the traditional mode of writing. Ancient Chinese mausoleum architecture is an important part of ancient architectural art. The article of Mr. Zong Xian seeks through the mysterious appearance to explore the cultural psychological characteristics contained therein. “Student Profile” is a newly opened section, this issue to introduce the famous esthetician Wang Chao Wen. Each issue in the future will introduce a famous contemporary scholar with achievements in art history, art theory and art criticism in China.