“上世纪”是一个真实的展览。它真实于上个世纪早中期以“西方列强”开头以“中国民族魂”收笔的叙述下种种痛苦抉择:它真实于上世纪后期无体系无条理进入中国的各种前卫艺术语言给“民间”这个概念带来的挑战和机遇:它真实于它这样一代人在面对这种多层次多时段中国和世界的隔阂里衍生出来的分裂和局限。它真实地反映了吕胜中作为一个个体做出的种种精神层面和艺 “Last century ” is a real exhibition. It is true that the painful choices under the narration of “Western powers ” beginning “Chinese national soul ” in the early and mid-century of the last century are that it is true that in the latter part of the last century various avant-garde art without systematic entry into China The challenge and opportunity that language gives to the notion of “folk”: it is real in the divisions and limitations it has derived from such a multi-layered, multi-period blockade of China and the world. It truly reflects Lv Shengzhong as an individual to make all kinds of spiritual level and art