莫扎特是个古典主义者吗?当然是,毫无疑问。但他绝不是那种不爱冒险,不敢尝新的古典主义者。我们以今天的眼光来看(更不用说假如结合当时特定背景)他的几部著名作品,会发现其中独具匠心的尝试。显然,莫扎特热衷于做实验,他的作品就像一间化学实验室,各种乐器就是不同液体气体——如果将钢琴、双簧管、单簧管、圆号和大管混合,会出现怎样一种音色混合体?那么当低音提琴与十三支管乐器同时演奏,再加上复调式结构,结果会怎样?再来听一听这部钢琴协奏曲,作曲家在慢板乐章中似乎忘记了它本来是一部钢琴协奏曲,接连几十小节让长笛出尽风头,差点变成了长笛协奏曲! Is Mozart a classic? Of course, no doubt. But he is by no means the classicist who does not love adventures and can not taste new. We see some of his famous works from today’s point of view (not to mention the combination of the specific background at the time) and will find one of the most inventive attempts. Obviously, Mozart is keen to do experiments, his work is like a chemical laboratory, a variety of instruments is different liquid gas - if the piano, oboe, clarinet, French horn and the tube mix, what kind of sound mixture will appear Then when the double bass and thirteen bass instruments are playing together, plus the polyphonic structure, what’s going to happen? Listening to the Piano Concerto again, the composer seems to have forgotten in the Adagio Piano that it was originally a Piano Concerto , A few dozens of sections flute to flute, almost turned into a flute concerto!