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如果说女人是银幕中不可或缺的存在,那么两性关系就是其中绕不开的话题。从新中国成立到现在,女性地位开始从男性为典范的“顶起半边天”模式渐渐回归到理性。女人到底要什么,成为女性电影探讨的主旨。女权主义学者指出,女性渴求的是和异性之间平等而亲密的关系。以此为参照剖析当下电影中的两性关系,割裂、疏离和背叛依然是两性关系中的主要表现方式。
If women are indispensable to the existence of the screen, then the relationship between the sexes is one of the topics that can not be separated. From the founding of New China to the present, the status of women began to gradually return to rationality from the model of “male half ascended the throne”. What women want in the end, become the theme of the female movie discussion. Feminist scholars point out that women desire equality and intimacy with their opposite sex. Using this as a reference to analyze the current gender relations in the film, fragmentation, alienation and betrayal are still the main manifestations of gender relations.