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田晓菲的专著《尘几录——陶渊明与手抄本文化研究》试图以传写中手抄本的不确定性为前提,大胆解构文学史上久已形成的陶渊明形象,还原这位隐逸诗人的历史真面貌。但由于文化观和方法论上的谬误,非但没有实现这一愿望,反而造成了陶渊明形象的严重失真,把他贬为一个汲汲于功名而又心机颇深的庸俗文人。这种解构,最终导致的是中国优秀文学与文化传统的毁弃。
Tian Xiaofei’s monograph Dust Encyclopedia - Tao Yuanming and Manuscripts Cultural Studies attempted to deconstruct the image of Tao Yuanming, a long time ago in the history of literature, under the precondition of copying the uncertainty of manuscripts and restore the historical appearance of this secluded poet. However, due to cultural and methodological fallacies, not only failed to achieve this aspiration, but caused a serious distortion of Tao Yuanming’s image, relegating him to a vulgar scholar who learned from his fame and enthusiasm. This deconstruction eventually led to the destruction of China’s outstanding literature and cultural traditions.