读郁达夫的小说,我们常常会被作品中不经意间流露出来的那种忧郁之美所深深吸引和震撼。“忧郁是上帝的快乐”,对郁达夫的小说虽然有伤感主义,颓废主义等等毁誉不一的评价,但小说忧郁之美却是审美认识上不可忽视的,这也许正是他的小说一直为读者接受的重要原因。 忧郁,是贯穿郁达夫整个文学创作的独特审美取向。《沉沦》中主人公变态的压抑和对祖国贫弱的忧患,《零余者》中“我是一个真正的零余者”的绝望,《茫茫夜》中主人公不甘堕落又不能自拔的无奈……都从不同角度折射着忧郁之光。即使是写来较为明朗轻松的散文,也是“感伤的旅行”的记录。《沉沦》是郁达夫的成名作,通过其中表现出来的忧郁之美可见其一斑。《沉沦》的主人公身处异国,在民族歧视的时代氛围中敏感、脆弱、自卑,甚至有些神经质,经常“他的眼睛里就涌出了两行清泪来,他自己也不知道是什么缘故”,在他眼中连他唯一的避难所,被他视为朋友,慈母和情人的大自然,也充满了忧郁的 Reading Yu Dafu’s novels, we are often deeply attracted to and shocked by the melancholy beauty that is exposed in the works inadvertently. “Melancholy is the happiness of God”. Although Yu Dafu’s novels are divided into many different opinions, such as sentimentalism and decadence doctrine, the melancholy beauty of the novel can not be ignored in aesthetic understanding. It is perhaps that his novels have been for readers Accept the important reason. Melancholy is the unique aesthetic orientation that runs through Yu Dafu’s entire literary creation. The degeneration of the protagonist in Degradation and the anxiety about the weakness and weakness of the motherland, the desperation of “I am a real remnant” in The Survivor, the helplessness of the protagonist in the “vast night” ...... Both From different angles reflects the gloom of light. Even writing a more clear and relaxed essay, but also “sentimental travel” record. “Degradation” is Yu Dafu’s fame, through which the beauty of melancholy can be seen is evident. The protagonist of “sinking” is in a foreign country, sensitive, fragile, inferiority, and even neurotic in an atmosphere of ethnocentrism. "Often his eyes shed two lines of clear tears, and he himself does not know what the reason is In his eyes, even his only refuge, be regarded as a friend of his, mother and lover nature, but also full of melancholy