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前言在古往今来的小说戏曲中,不乏第三者介入家庭婚恋的题材。被清人但明伦评点为“一首翻新出奇之文”~①,鲁迅亦说“偶述琐闻,亦多简洁,故读者耳目,为之一新”~①的《聊斋志异·恒娘》,虽同样是以“妻妾争宠”为故事内核,却别开新局,以窈深曲折的谋篇布局与主题立意,描述了狐女恒娘运用“变旧为新”“易妻为妾”的机智谋略,教导邻妇朱氏成功解决“小三”的婚姻危机。
Foreword In the fiction drama of all ages, there is no lack of third party involved in the theme of family love and marriage. But Minglun was criticized as “a refurbished surprising article ” ~ ①, Lu Xun also said “Even the anecdote, but also more concise, so the reader’s eyes and ears, as one of the new Chihiro · Heng Niang ”, although the same is based on “ wives concubine ”for the story of the kernel, but do not open a new board, with deep twists and turns of the plot layout and the theme of the conception of the fox woman used the“ old ” For the new “” easy wife as concubine “tactic to teach neighboring neighbors Zhu ’s successful solution to ” small "’ s marriage crisis.