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马克思的早期美学包含了一种感性论思想,即确认人是感性的、自然的存在物,主张把人的本质理解为感性活动。马克思认为感性是一个变化的历史的范畴。人的活动的对象性能使得思维和存在、主体和客体、人和外在世界之间建立一种相互渗透和相互依赖的关系,只有全面地占有对象,才能展示和发展人的全部感觉并导致审美的发生。马克思的感性论思想对美学这一学科的发展和成熟作出了独特贡献,在近现代美学发展史上起到了承前启后的作用。
Marx’s early aesthetics contains a theory of perceptualism, that is, to confirm that man is a perceptual and natural being, and advocates understanding man’s essence as a perceptual activity. Marx considers sentiment as a category of historical change. The object performance of human activity makes the relationship between thought and existence, subject and object, human and external world establish a mutual infiltration and interdependence, and only fully occupy the object in order to display and develop the full human feeling and lead to aesthetic happened. Marx’s theory of perceptualism has made a unique contribution to the development and maturity of the discipline of aesthetics and played an important role in the development of modern aesthetics.