这种透明对抗性的本能控制在陈鸿志的收发自如中显得炉火纯青,比起那些纯粹设计效应极其强烈的后工业时代的小聪明制作有趣得多,比起“半透明”状态生猛得多…… This instinctive control of transparency and confrontation in Chen Hongzhi’s consummate ease of use seemed more interesting than the clever production of the post-industrial era where purely design effects were extremely strong, much more vigorous than that of the “translucent” state ...