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为了深化主题,推进事件的发展,多侧面地揭示人物的性格,不少影片运用了戏中“戏”的艺术手段。在反映工厂生活的彩色故事片《钟声》中,也设置了一大段乔光朴看京剧《秦香莲》的镜头。勇于改革,敢于管理的机电公司经理乔光朴,毛遂自荐,又回到电机厂这个十年浩劫造成的“重灾户”,再度当上了厂长。他怀着高度的革命责任感和强烈的事业心,冲破重重阻力,对生产管理、规章制度、人事安
In order to deepen the theme, advance the development of the event, and reveal the personality of the character from many aspects, many films use the artistic means of “play” in the play. In a colorful feature film “Zhongsheng” that reflects the life of the factory, a large section of Qiao Guangpu’s Peking opera “Qin Xianglian” was also set up. Qiao Guangpu, manager of the electromechanical company who dared to reform and dared to manage, volunteered again and returned to the “heavy disaster household” caused by the ten-year catastrophe of the Electrical Machinery Factory, again becoming the factory director. He with a high sense of revolutionary responsibility and a strong sense of professionalism, breaking through the obstacles, the production management, rules and regulations, personnel security