20世纪以来随着各种新的艺术媒体的崛起和盛行,戏剧的生存环境在不断地受到挑战,使得戏剧舞台艺术也越来越边缘化。电影银屏、电视机的屏幕尺寸限定以及特写镜头的大量运用,使得我们的演员(传统戏曲演员除外)的表演更多地依赖于一个“说话的头颅”。另一方面,在当代的人类生活中,科学技术的不断发展加剧了我们对身体的弃用和退化,使我们“身体”感知性的各项功能正在离 With the rise and prevalence of various new art media since the 20th century, the living environment of drama has been constantly challenged, making the drama stage art more and more marginalized. Screens of movies, limited screen sizes of television sets, and extensive use of close-ups make our performances, with the exception of traditional opera actors, that rely more on a “talking head.” On the other hand, the continuous development of science and technology in contemporary human life has exacerbated our abandonment and degradation of our bodies, leaving us with all the functions of our “body” perception