景德镇号称千年瓷都,然而,它在新兴的世界现代陶艺领域里还没有骄人的纪录,这使许多陶艺工作者困扰焦虑不已。然而,这尴尬局面终于被3个不见经传的青年所打破——省陶研所李少景和陈小青合作的《渐变》、陶瓷学院黄焕义的《渴》,双双入选现代陶艺最高水平的“国际陶瓷’92美浓展”,成为中国陶艺入选的仅有两件作品,为景瓷争了光。“美浓展”在世界现代陶艺领域里影响极大,参展国家60多个,送展作品2000多件,而参展、入选、入赏(获奖)的条件要求又极苛刻。首届,中国未送展;第二届,送展的陶艺部分作品全落选;第三届,中国的现代陶艺作品才被国际认可。因为,“美浓展”的主旨是及时反映世界现代陶艺不断变化的艺术风格。首届是“现代主义”主题,反技术理性,强调个性色彩;第二届是“后现代主义”主题,又拥抱工业文明,主张以高科技手段反映人类的高度 Jingdezhen known as the Millennium porcelain, however, it is in the emerging world of modern ceramics in the field there is no impressive record, which makes many potters anxious anxiety. However, this embarrassing situation was finally broken by three unseen youths. The “gradual change” in collaboration between Li Shaojing and Chen Xiaoqing from the Institute of Ceramics, the “thirsty” of Huang Huan-yi from the Ceramics Institute, both of which were selected as the “International Ceramics” of the highest level in modern ceramics art. Mino Exhibition “, becoming China’s ceramic art selected only two pieces of works, for the King porcelain fight the light. ”Mino Exhibition“ has a great influence in the field of modern ceramics in the world. More than 60 exhibitors from countries and more than 2,000 works have been sent to the exhibition. The requirements of exhibiting, selecting and winning (winning) are extremely demanding. For the first time, China did not send its exhibits; the second session, part of the ceramic works sent to the exhibition were all lost; the third, China’s modern ceramic works were internationally recognized. Because, ”Mei Min Exhibition“ is the theme of timely reflection of the changing modern world art style of pottery. The first is the theme of ”modernism“, anti-technical rationality and emphasis on individuality. The second is the theme of ”post-modernism", embracing industrial civilization and advocating high-tech means to reflect the height of mankind