【摘 要】
：
我与黄阿忠相识在十多年前,那时他的水墨荷花刚在《书与画》杂志上崭露头角。他颇为高兴,爽快地请我和另一位朋友喝酒。我知道他是画油画的,画水墨只是玩票而已。但他偶尔挥
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我与黄阿忠相识在十多年前,那时他的水墨荷花刚在《书与画》杂志上崭露头角。他颇为高兴,爽快地请我和另一位朋友喝酒。我知道他是画油画的,画水墨只是玩票而已。但他偶尔挥洒水墨小品,竟也是满纸灵气,颇让我讶异。 而后,阿忠似乎又沉缅到他的油画中去了。毕竟,那是使他更为钟情的画种。以后我注意到,他的油画新作频频在展览中露面,包括上世纪90年代上海
I met Huang Hsiao-chung more than a decade ago when his ink-and-water lotus came to prominence in The Book and Painting Magazine. He was quite happy to invite me to drink with another friend. I know he is painting oil paintings, painting ink just play tickets only. But he occasionally sway ink pieces, was actually full of Reiki, rather surprised me. Then, Ah Chung seems to sank to his paintings again. After all, it was a painting that made him more in love. Later I noticed that his new oil paintings frequently appeared in the exhibition, including Shanghai in the 90s of last century
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