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本文针对原生态假面舞的生成来源及其舞蹈形式与动作、形态、节奏、道具进行考察,同时与其有关的假面舞蹈在教学组合的形成、继承和发展等问题给以分析。在论题的阐述第一部分重点围绕着原形假面戏与假面舞的史论背景,展开了有关假面舞的构成、类型等方面认识上,又进一步从舞性角度分析了凤山假面舞的形式与表现。其次,对有关假面舞蹈在现行教学中的具体表现关系上,对假面舞组合的表现形式与内容等方面进行简要阐述。
In this paper, the origins of the original masked dance and its dance form and action, morphology, rhythm, props were investigated, and the formation, inheritance and development of the masquerade dance related to it were analyzed. In the first part of the elaboration of the thesis, I mainly focus on the historical background of the prototype shame and the masquerade, and then I start with the cognition of the composition and type of the mask dance. I further analyze the Fengshan Masquerade The form and performance. Secondly, on the relationship between the performance of the mask dance and the current teaching, this article gives a brief description of the forms and contents of the mask dance combination.