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徐贤妃(公元627年——公元650年)名惠。浙江湖州长城人,以《谏太宗息兵罢役疏》一篇而载入新旧《唐书》和《资治通鉴》。但对于徐惠本人以及她其他的文学作品,历代文学史和近代文学选本中都很少提及,更没有人去关注她是如何从一名贵族才女走上贤妃之路的,以及在这种心态下创作的诗文中的男性化审美形态。笔者在此抛砖引玉,简单从她的心态渐变历程出发,略作论述。
Xu Xian Fei (AD 627 - AD 650) Name Hui. Huzhou, Zhejiang Great Wall to “remonstrance Taizong soldiers desertion” an article loaded with the old and new, “Tang” and “Mirror”. But for Xu Hui himself and her other literary works, the history of literature in modern times and modern literary anthologies are seldom mentioned, but no one paid any attention to how she came from a noble and talented woman on the road of Xian Fei, The masculine aesthetic form in the poem writing under this mentality. I hereby initiate, simply starting from her mentality of gradual change, a little discussion.