凡是戏剧(曲)演员都懂得“戏剧艺术是行动的艺术”。无论是传统戏还是现代戏都离不开“行动”二字。也就是说通过一连串的角色动作完成人物的形象塑造。一、在一度创作的制约下进入角色一个演员在进入角色或创造角色以前必须熟读剧本,掌握、理解一度创作的立意,抓住主题和主题思想才能在剧本规定的情境下进入角色创作。如果你不了解剧本内容,不知道剧本的事件、矛盾冲突、人物之间的关系,匆匆忙忙地去表演,那么你演的这个角色肯定是苍白的、盲人骑瞎马地无目的在行动、在创造。为此,本人认为一个演员在接到 All actors (opera) know that “theatrical art is the art of action.” Whether traditional or modern drama are inseparable from the word “action”. In other words, through a series of character movements to complete the character’s image. First, enter the role of the constraints of a creative creation An actor must be proficient in the script before entering the role or create a role, grasp, understand the original intention of creation, to seize the theme and theme ideas in order to enter the script under the role of role creation. If you do not understand the contents of the script, do not know the story of the script, conflicts, relationships between characters, to perform in a hurry, then you play this role must be pale, the blind riding a blind horse without purpose in action, In creation. To this end, I think an actor is receiving