历史发展到今天,给人类不断地提出新的课题,从哲学的角度上看,人们在把自己作为主体去研究客体的同时,也把自身当作客体来研究了。人们开始更深刻地认识人类自身灵魂和性格的深层,发现了人的双重性和矛盾性。这样,人们对电影也跟着提出了新的要求。他们不再希望只看到仅仅能得到情感上满足的好汉和圣女式的形象,不再希望看到人物表面的职业、相貌和性格特征。他们要求看到他们自己,他们的生活,从而联想到自己的形象。随着巴赞的纪实美学的出现,电影在观念上有了很大变化,在继续发展运用传统观念的同时,又在探寻当代电影的观念,其中有一 From the philosophical point of view, people have studied themselves as the object while studying the object as the object, while the history has been developed to this day. People began to understand more deeply the depths of their own souls and characters, and discovered the duality and contradiction of human beings. In this way, people also made new demands on the movie. They no longer wish to see only the mere images of heroines and samas who were emotionally satisfied, no longer expecting to see the occupations, looks and personalities of the characters. They demanded to see themselves, their lives, and thus their own image. With the advent of Bazan’s documentary aesthetics, the concept of film has undergone great changes. While continuing to develop and apply traditional concepts, the film is also exploring the concept of contemporary cinema, among which one