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在明人的戏曲批评中,戏曲作为教化工具的观点始终具有其强大的影响力,但另一方面,从人们的审美心理来说,戏曲表现出来的风情更有吸引力,这就造成了明人戏曲批评中风情与教化的矛盾。坚定地维护戏曲的教化与赞赏风情的倾向二者相冲突又协调,明人的戏曲批评体现出其复杂性。
In the drama criticism of the Ming Dynasty, the viewpoints of the opera as a tool of enlightenment always have its powerful influence. On the other hand, from the aesthetic psychology of the people, the drama style appearing in the opera is more attractive, Contradictions between Emotions and Enlightenment in the Criticism of Chinese Opera. Firmly maintain the tending of the opera and the tendencies of appreciating the style of the two conflicting and coordinating, the operatic criticism of the Ming Dynasty reflects its complexity.