笔者过去曾经写过一篇《绘画作品中的双胞胎现象》的文章,刊登在《收藏家》杂志1997年4期上。在那篇文章中我写道:“我们在鉴赏古今绘画作品时,偶然会发现其中有的两幅画,甚至三幅画的画面构图完全一样,难辩差异,这种情形就好象碰到人群中的‘双胞胎’、‘三胞胎’似的,很容易认错。以上当然只是个比喻,因为人群里的‘双胞胎’、‘三胞胎’都是真的,其中不存在假的问题,而绘画作品里的‘双胞胎’、‘三胞胎’,则非常容易引起怀疑,使人觉得可能里面是一 In the past, I wrote an article entitled “Twins Phenomena in Paintings,” published in Collector Magazine, 1997, 4. In that article I wrote: “When we appreciate ancient and modern paintings, we occasionally find out that some of the two paintings, or even the three paintings, are completely the same in composition and can not be reconciled to differences. The ”twins“ and ”triplets“ in the crowd are easy to admit, and the above is of course only a metaphor because the ”twins“ and the ”triplets“ in the crowd are all real and there is no problem of fake, The ”twins“ and the ”triplets" in the paintings are very likely to arouse suspicion and make people think that there may be one