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唐代美术中存在着普遍的“丰腴”美,这一特征在绘画、书法、雕塑等美术领域中都有不同程度的体现。这一“丰腴”美的特殊形象、审美与唐代社会经济、文化密切相关,在唐代美术中有更深层的表现意义,是一种精神上的象征。
There is a universal beauty in the art of the Tang Dynasty. This feature is reflected in various fields such as painting, calligraphy and sculpture. The special image and aesthetic of this “abundance” beauty are closely related to the social economy and culture in the Tang Dynasty. It has a deeper meaning in the art of the Tang Dynasty and is a spiritual symbol.