在洪子诚先生的《中国当代文学史》中,没有了“经典”的不证自明的堂皇位置,也不存在“排排坐,吃果果”的“排座次”现象。赵树理从“评价”的起落变化中走来;《创业史》在文学批评的争议中“亮相”;对《青春之歌》,关注的是其“讨论”与“修改”;对《红岩》,则强调其“写作”方式的特别……某种意义上 In Mr. Hong Zhisheng’s “History of Contemporary Chinese Literature,” there is no self-evident “grand” position of “classic ” and there is no “row seating ” phenomenon of “arranging and eating fruit”. Zhao Shuli came from the ups and downs of “evaluation ”; “entrepreneurial history” in the controversy of literary criticism “debut ”; on the “song of youth”, concerned about its “discussion ” and “revision ”;“ ”Red Rock“, then emphasize its ”writing " way special ... in a sense