一说到女人体题材的中国画,首先印入我脑海的就是一些很唯美的工笔画作品,为数不多的写意女人体作品也大都是以线条表现为主体语言。一直以来好像写意与女人体表现总有一段不可调和的障碍,也许是大众的审美习惯和导向,女人体的艺术表现几乎被定格为应该是体现出唯美的,无暇的、出污泥而不染的感 When it comes to the Chinese painting of women’s subjects, the first thing that comes to my mind is the very aesthetic work of fine brushwork. Most of the works of freehand woman’s body are mostly lines expressed as the main language. It seems that there is always an irreconcilable obstacle in the expression of the freehand and the woman’s body. Maybe it is the public’s aesthetic habit and orientation. The artistic performance of a woman’s body is almost fixed to be aesthetic and flawless, Feeling