天界之舞——中国石窟壁画中飞天形象的演变

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东汉以后,随着佛教传人汉地,众多佛教形象被佛教徒所崇信。飞天在众多佛教形象中,是专门礼佛和供养佛的天女形象,常常出现在石窟壁画中的经变画、说法图、故事画天空上方,用以表现天界欢乐祥和的景象。飞天有散花飞天和伎乐飞天两种类型,多以对称形式出现。此外,在佛的背光左右也有出现,多为佛供养;也有画于藻井、人字坡两侧、华盖、平綦四角、龛顶、龛楣处,起分隔画面的作用。目前,学界研究多是对其图像构成与绘画技巧的分析,或是对图像的收集,而对飞天形象系统化 After the Eastern Han Dynasty, Buddhism was enshrined in many Han Buddhists, many Buddhists believe in Buddhism. Flying among many Buddhist figures, it is a portrait of the goddess who specializes in offering and worshiping Buddhas. It often appears in the cave paintings of altered paintings, story drawings and stories above the skies to represent the joyful and peaceful scene of Heaven. There are two types of flying flowers and magic flying flying, mostly in the form of symmetry. In addition, the Buddha’s backlight also appears around, mostly for the Buddha to provide support; also painted in the caisson, both sides of the word slope, canopy, flat 綦 four corners, niche top, niche office, played the role of separate images. At present, the academic research is mostly the analysis of its image composition and painting skills, or the collection of images, and the systematic image of the flying image
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