少数民族电影和电影人是中国电影的宝贵财富,从建国初期的《刘三姐》《五朵金花》《冰山上的来客》,到改革开放以后的《黑骏马》《东归英雄传》,再到跨入新世纪之后的《静静的嘛呢石》《花腰新娘》《圣地额济纳》《康定情歌》等,一大批这样的少数民族电影绽放出独特的光彩。中国电影的大繁荣、大发展离不开少数民族电影事业的繁荣发展。 Minority films and filmmakers are valuable assets for Chinese films. From “Three Sisters” and “Five Golden Flowers” in the early days of the founding of the People Republic to “visitors on the iceberg” to the “Black Horse” and “Heroes of the East Return” after the reform and opening up, After entering the new century, “Quiet Stone”, “Flower-Waist Bride,” “Sacred Earth Ejina,” “Kangding Love Song” and so on, a large number of such ethnic minority films bloom a unique luster. The great prosperity and development of Chinese movies can not be separated from the prosperous development of ethnic minority movie undertakings.