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头一次接触先生是四十年前。一九五八年底,雕塑系集体进驻北京,老师和高年级学生为建国十周年首都十大建筑设计雕塑。我们新生在旅馆上课,外出参观学习,观摩老师创作,或是外出写生。印象最深的是潘老师画水彩。我们出去写生,又是画板又是画架,全副武装。先生外出却不露声色,两手空空胜似闲庭信步,遇到可意的风景,找到适当的位置,只见他从大衣口袋里,掏出一只名信片大小的铁洋烟合,里面一合明信片
The first contact with Mr. is forty years ago. At the end of 1958, the sculpture department came to Beijing in a group. Teachers and senior students sculptured the top ten architectural figures in the capital’s tenth anniversary. Our freshmen in the hotel class, go out to study, observe the teacher’s creation, or go out to sketch. The most impressive is the watercolor painting Pan. We went out to sketch, but also drawing board and easel, fully armed. Mr. Going out but not revealing, empty-handedness is like Strolling, encounter desirable landscape, find the appropriate location, I saw him from the coat pocket, pulled out a name card size of the iron ocean smoke together, which a postcard