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中国佛教装饰图案是外来宗教文化在中国长期演变的结果,伴随着传统民间文化的发展而形成。本文以安阳修定寺唐塔的砖雕装饰图案为研究对象,试图通过分析修定寺砖塔的纹样装饰和布局技巧,再结合晚唐佛教的流派、习俗和民间传说,来探讨晚唐装饰图案民间化的特点,进一步思考佛教装饰图案与民间美术的关系。
Chinese Buddhist decorative patterns are the result of the long-term evolution of exotic religious culture in China, accompanied by the development of traditional folk culture. In this paper, the decoration pattern of the brick decoration in the Tang pagoda of Xiuming Temple in Anyang is studied. By analyzing the decoration and layout skills of the decorative brick tower in Xiuzheng Temple, the author tries to discuss the decoration of the late Tang Dynasty by combining the genre, customs and folklore of the late Tang Dynasty The characteristics of the pattern of folk custom, to further consider the relationship between Buddhist decorative patterns and folk art.