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在近代中国艺术观的形成过程中,“艺术”概念最初与“美术”同义。美术之为“美”的属性得以确立,源自康德非功利化的审美观,“美术”与“艺术”概念由此分离。从艺术类型学上看,音乐脱离美术体系是艺术与美术分殊的结果,而书法融入美术则是东亚独特的文化现象。东亚美学与美术史(艺术史)研究在草创阶段曾水乳交融,从而使康德式的审美观与黑格尔化的历史观巧妙结合。当代仍需沿用“艺术”的传统概念,但亟待建构一种“新的中国性”的艺术观。
In the process of the formation of modern Chinese art, the concept of “art” was originally synonymous with “art”. The attribute of fine art as “beauty ” is established, which is derived from Kant ’s non - utilitarian aesthetic concept, thus the concept of “art ” and “art ” are separated. From the perspective of typology of art, the separation of music from the art system is the result of the difference between art and fine arts. The integration of calligraphy into art is a unique cultural phenomenon in East Asia. The study of East Asian aesthetics and art history (art history) has been well integrated in the grass-making stage, so that Kant’s aesthetic conceptions are ingeniously combined with Hegel’s historical viewpoints. The contemporary concept of “art” still needs to be followed, but there is an urgent need to construct a “new Chinese nature” concept of art.