《悲剧的诞生》中蕴涵着一种阴郁的悲观色彩,尼采认为世界并不存在本体界和现象界的区分,只存在一个真实的无意义的世界。艺术用以帮助我们战胜这个残酷的“真理”。尼采认为酒神代表着世界意志本身的冲动,日神则代表着世界意志显现为现象的冲动,这两种冲动在个体身上表现为在个体化原理支配下执着于现象包括一己之生命的冲动。在二元冲动中,酒神具有本源性,日神由它派生。 The birth of the tragedy implies a gloomy pessimistic color. Nietzsche believed that there is no distinction between the ontological and the phenomenal world in the world, and there is only one real and meaningless world. Art is used to help us overcome this cruel “truth.” Nietzsche believed that the Dionysian represented the impulse of the will of the world itself, while the deity represented the impulse of the world’s will to appear as a phenomenon. These two impulses were manifested in the individual as an impulse attached to the phenomena including their own life under the control of the principle of individualization. In the binary impulse, the Dionysus has origin, and the deity derives from it.