当代工笔花鸟画无论在审美情趣,还是表现形式、绘画技 法方面,大体承袭传统,基本没有多大变化。在传统中国画中, 花鸟画和山水画相对于人物画而言,在题材、风格、表现形式 和绘画技法等方面更为丰富、多样,这与中国历史上特有的人 文背景分不开。花鸟画自唐代独立分科以来,其风格、体制不 断地演化发展,从五代的徐黄二体、两宋的院体到元明清的水 墨写意,留下了大量的花鸟画佳作。 No matter in the aesthetic taste, expressive form or painting technique, the contemporary pen and flower and bird paintings inherit the tradition basically, with little change basically. In the traditional Chinese painting, flowers and birds paintings and landscape paintings are more abundant and diverse in terms of themes, styles, forms of expression and techniques of painting than portraits, which is inseparable from the unique humanistic background in Chinese history. Since the independent division in the Tang Dynasty, the style and system of bird and flower painting have been continuously evolving. From the five generations of Xuhuang Erhuan and the Song Dynasties to the Yuan, Ming and Qing Dynasties’ ink and wash, a great number of flower and bird paintings have been left.