1936年我17岁,因参加进步活动入狱,刚从监狱出来,一无所有,靠画谋生,但屡被一些漫画刊物退稿。当时的上海作为中国的文化中心十分活跃。我在北京见到张光宇画的《十日谈》,凭直感相信他是一个富有正义感的艺术家。他的漫画政治性很强,专攻打偶像主要矛盾直指蒋介石和日本人,很有勇气。手法模仿阿弗罗皮斯,丑化对象好极了,很有装饰性。与张光宇思想和趣 In 1936, I was 17 years old and jailed for taking part in the Progressive Campaign. I just came out of prison and got nothing. I used to make an living by drawing pictures, but I was repeatedly reprinted by some comic books. Shanghai was very active as a cultural center in China at that time. I saw Zhang Guangyu’s “Decameron” in Beijing, believing him to be a righteous artist with a sense of straightforwardness. His comic political very strong, specializing in fighting idols main contradiction directed at Chiang Kai-shek and the Japanese, very courageous. Ivoropis imitate the practices, the object is very vilified, very decorative. And Zhang Guangyu thoughts and interests