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本文试图从叙述学的视角来考察《香港的白流苏》在创作上的得与失。通过与原小说《倾城之恋》的比较,得出了《香港的白流苏》在人物创作、小说内涵、审美意蕴等方面都存在着主题先行以及女性主义倾向明显的结论。
This article attempts to examine the gains and losses in the creation of “Hong Kong White Lotus” from the perspective of narratology. Through the comparison with the original novel “The Love of Allure”, the author concludes that “Hong Kong White Lotus Supremacy” has the leading theme and the obvious feminist tendency in character creation, novel connotation and aesthetic implication.