清代画家恽寿平的绘画思想受庄子影响之巨之深,中国古代画家中恐很少有人能与之相比。笔者曾对恽寿平的《南田画跋》及朱季海辑《南田画学》两书进行爬梳,发现恽氏引用《庄子》一书的词语竟多达30处以上。显然,庄子的哲学思想是恽寿平绘画理论主要渊源之一。研究恽寿平的画学思想,是不能不研讨庄子对他的熏陶,以及他对庄子艺术精神的吸收和运用的。 Qing Dynasty painter 恽 Shou-ping’s painting ideas influenced by Zhuangzi huge depth, few ancient Chinese artists fear it compared. The author once scrutinized the two books of Nansha’s Painting Postscript by Zhuo Shouping and Zhu Jihai’s The Paintings of Nantian and found that there were as many as 30 words in Cushu’s quotation of Zhuangzi. Obviously, Zhuangzi’s philosophical thinking is one of the main origins of Gao Shouping’s theory of painting. Studying Zao Shou-ping’s painting thought can not but study Zhuangzi’s influence on him and his absorption and application of Zhuangzi’s artistic spirit.